“The consequence of failure is letting go of the factory and firing all of these workers, who are not only
employees, but also essentially the people he grew up with,” Christopher said. “It’s a factory town, and
everybody is so close and so tight and so interrelated. The idea of everything falling apart motivates him to try
to find any solution to save the factory, his hometown, and his adopted family.”
Price is supported by his childhood friend, “Lauren” (Katherine Ares), a worker at the factory who rallies
behind his efforts to preserve it. Together, they come to the conclusion the factory and town must evolve to
survive, and so they begin to look for a new niche market for their shoes. Inspiration strikes in the form of a
drag queen named “Lola” (Jery Rosas).
Photo courtesy Chris Foster and Jason Leong (SVCT)
“When he first encounters Lola, they strike up a conversation,” Christopher said. “They realize that maybe,
just maybe, there is a niche market for making drag queen-style boots for men out there who are interested in
that kind of thing. Because, you know, a woman’s stiletto can’t possibly support a (large) man’s weight, so
what if his factory could start making boots that could support more weight in a six-inch heel?”
In traditional, blue-collar Northampton, the idea doesn’t exactly catch right away with the residents. Charlie,
Lola, and Lauren work against stiff resistance from the old-fashioned mentality of the townsfolk.
“Lauren really connects with Lola,” Ares said. “She is onboard with trying to help Charlie with these changes
that they’re making, while some of the other factory workers are like, ‘Oh my goodness, drag queens!’ And
Lauren isn’t that way at all, she is all about it. She is open-minded, and she thinks Lola coming in and working
with Charlie is fantastic.”
For Christopher, “Kinky Boots” is one of the most entertaining musicals he’s ever seen. “I’ve had the
opportunity to see it both on Broadway and in the West End,” he said. “Our choreographer, Christine Carrillo,